Comments on: Compressor Attack Explained – Where to Set Your Attack https://www.musicguymixing.com/compressor-attack/ Mixing Services and Tutorials Tue, 02 Jun 2026 15:32:22 +0000 hourly 1 https://wordpress.org/?v=7.1.4 By: How to Use a Bass Limiter (With Best Settings) - Music Guy Mixing https://www.musicguymixing.com/compressor-attack/#comment-6815 Tue, 02 Jun 2026 15:32:22 +0000 https://www.musicguymixing.com/?p=1473#comment-6815 […] parameter on a limiter works just like attack on a compressor; it’s the amount of time in milliseconds which the limiter will wait before applying gain […]

]]> By: Good Compression Settings for Vocals to Use Every Time - Music Guy Mixing https://www.musicguymixing.com/compressor-attack/#comment-6578 Fri, 13 Mar 2026 19:08:06 +0000 https://www.musicguymixing.com/?p=1473#comment-6578 […] compressor’s attack is the control for how quickly it begins compressing after the threshold is […]

]]> By: Compressor Settings for Guitar - The Best Settings - Music Guy Mixing https://www.musicguymixing.com/compressor-attack/#comment-1856 Fri, 06 Dec 2024 20:27:16 +0000 https://www.musicguymixing.com/?p=1473#comment-1856 […] compressor’s attack is an important setting because it allows us to delay that compression for an amount of time […]

]]> By: How to Mix Guitar - My Guitar Mix Chain for the Best Results - Music Guy Mixing https://www.musicguymixing.com/compressor-attack/#comment-1782 Mon, 11 Nov 2024 16:07:38 +0000 https://www.musicguymixing.com/?p=1473#comment-1782 […] compressor’s attack is essentially the delay in milliseconds after the threshold is exceeded before the ratio kicks in […]

]]> By: The Best Vocal Bus Compression Settings to Dial In - Music Guy Mixing https://www.musicguymixing.com/compressor-attack/#comment-1347 Mon, 29 Jul 2024 16:41:17 +0000 https://www.musicguymixing.com/?p=1473#comment-1347 […] Compressor attack is how fast that compression begins once the threshold is exceeded. Set it too slowly and the compressor won’t engage when we want it. Set it too fast/short and we’ll pull out the transients and life from our vocal. […]

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